The best kinds of movies try to do something fresh. That was true with the special effects of 1902’s A Trip to the Moon (above), the use of deep focus in 1940’s Citizen Kane, and the 3D animation of Toy Story in 1995. In every case, the ambition works because the artistry – the story, the characters, or the ideas in play – demands it. Otherwise you’d be left with nothing but a sea of empty gimmicks.
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Stories

How 'Gazer' Made Cinematic Magic on a Low Budget
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SCARFACE (1932) AT THE PLAYHOUSE 2/22
THE SPIRIT OF 1932: Our series continues with a gorgeous 4K restoration of Howard Hawks’ crime saga Scarface, a fictionalized variation on the Al Capone saga that captures the shocking grip of organized crime on American society in the midst of the Great Depression. More than 50 years before a crazed Al Pacino and his “little friend” took on the law in Brian De Palma’s famous remake, Paul Muni delivered an equally unhinged turn as Italian immigrant gangster Tony Camonte, whose…
Lists
Eric Kohns Top 10 Picks From The First Half of Cannes 10 films
I return this week from the festival ahead of Memorial Day weekend to kick off the summer season at the…
Playhouse Post: How Videogames Made Movies Better 13 films
The Playhouse Post: It’s Showtime! 16 films
Celebrating our opening with a range of exciting programming including PADDINGTON IN PERU, CAPTAIN AMERICA BRAVE NEW WORLD & THE BLUE…
The Playhouse Post: Movie Stars, Past & Present 10 films
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The Playhouse Post: Women in Film, Honoring Gene Hackman & Oscars Winners 8 films
All week long, the Playhouse welcomes you to see these incredible selections!