Nathan Stuart

Favorite films

  • Deadly Outlaw: Rekka
  • A Scarred Life
  • A True Story of the Private Ginza Police
  • Asura: The City of Madness

All
  • Asura: The City of Madness

    ★★★★★

  • Bogotá: City of the Lost

    ★½

  • Detonation: Violent Riders

    ★★★★

  • Broken Rage

    ★★

More
A Legend of Turmoil

1992

★★★★★ Liked 17

Shuji Otaki (Akira Kobayashi) is an underboss in the successful Kasabe Family, running day to day operations and keeping up appearances for his elderly Boss. When the President of a large construction firm dies, Shuji finds himself dealing with a feud over redevelopment land deals as the Oda Family (Hideo Murota), try to muscle in, launching attacks and assassination attempts on Kasabe executives in an effort to crush them. As the war heats up, Shuji strikes back and soon an…

The Most Perverted Post War Crimes

1976

★★★ Liked 3

Finally had time for a film yesterday and a game of hard drive roulette had me rewatching Yuji Makiguchi's 'Bizarre Crimes of Post War Japan', an odd and disted 78 minute anthology focusing on exactly what the title implies, three cases of true crime committed after the war in a somewhat bizarre fashion. Presented by singer/actress Pinko Izumi, who briefly describes each case in an overblown and overexcited way with some of the most '70's' commentary imaginable, the film then…

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Big Time Gambling Boss

1968

★★★★★ Liked 19

Tokyo, 1934. The Boss of the Tenryu group lies bedridden and names his successor, Nakai (Koji Tsuruta) who is to take over in his stead. But Nakai, who is originally from Osaka, refuses the position and instead nominates his sworn brother, Matsuda (Tomisaburo Wakayama) for the position according to seniority rules. But with Matsuda still serving a prison sentence, senior advisor Senba (Nobuo Kaneko) ignores the rules and manoeuvres the rest of the elders into nominating Ishido (Hiroshi Nawa) for…

Deadly Outlaw: Rekka

2002

★★★★★ Liked Watched

Lost count of how many times I've seen this. Still my all time favourite film.

As much as it's a perfect Miike's 'Greatest Hits' (Both thematically and stylistically) it also serves as a wonderful love letter to the genre where Miike subverts the cliches the way that works best. His way.

Riki channeling his inner Sugawara swagger, the Flower Travellin' Band screeching out the soundtrack, Kenichi Endo's excited attack commentary, the nods to Noboru Ando. I could go on forever, its cinematic nirvana for me and absolute fucking perfection.

ROCK AND ROLL