An adaptation of Maria Semple’s 2012 comedic novel about a reclusive architect who goes missing just before a family trip to Antarctica, Where’d You Go, Bernadette? stars Cate Blanchett in the title role. Bernadette’s daughter Bee (Emma Nelson) sets out on a quest to find her, with Bernadette’s husband Elgie (Billy Crudup). Laurence Fishburne, Judy Greer and Kristen Wiig also star.

Directed by American filmmaking icon (and co-founder of the Dazed and Confused, when Holly was a production coordinator, and Vince a second second assistant director.

Vince became Linklater’s first AD for the films Me and Orson Welles (2008), which she also wrote with Vince.

Reviewing Where’d You Go, Bernadette? on Letterboxd, Melissa, who has read the novel, offers: “If you’re a fan of the book… the movie is starkly different. But if you’re a fan of Linklater… you’re going to love it. Cate Blanchett may be the best actor of the decade.”

We spoke to Holly Gent Palmo and Vincent Palmo Jr. about their collaborative writing process with Linklater, mining their own relationship for inspiration, and making films for the social-media age.

Was the book’s author Maria Semple involved at all?
HGP: First of all, the novel is fantastic.

Vincent Palmo Jr: Love the book, love the book.

HGP: Maria knows so much about the filmmaking process and has that history herself that she knew that she wanted to hand it off to Rick. She talked to Cate and she talked to Rick but she did not take part in the writing.

Richard Linklater seems like a great writer to collaborate with. What is it about him that makes that operate so well?
HGP: With Rick, the way we work is that we talk a lot in the beginning and clearly discuss every aspect of the book. This one was particularly challenging in that it was a modern epistolary novel told in emails and transcripts. It’s not a straight narrative and it’s not told in a linear fashion, necessarily. So we had to sort out the chronology of our story and what would be included.

It’s the way he works with actors and everyone. It’s a really respectful, really collaborative process where everybody gets to bring to the table their own personal point of view in their own lives. With Rick, we dove into the parts of the novel we liked best and what threads we were going to pick up and carry through.

VPJ: It was a pretty deep exploration of the novel, of all the different characters and situations. We talked through all that and came to an agreement between the three of us for what we felt said the themes best.

Vincent, you’re also Linklater’s first assistant director, which is an interesting combination of multi-tasking. On set, would you pitch in on the script-side?
VPJ: No, on set as a first AD I’m more concerned about the day’s work and really having everything in place and ready to go so Rick just has to say “action” and “cut”. I don’t talk at all about the script. At that point we’re all dialed in anyway.

When Holly’s around they have their conferences and I’ll be arranging the next set up. I’ve done a lot of things with Rick. I did all twelve years of Boyhood. There’s a shorthand there that I’m intent and focused on each day’s shoot and what’s coming up the next day.

HGP: By the time Rick gets to set, he’s totally prepared and ready. He has his rehearsal process with his actors. Our process is over, he’s very sure of what he wants.

VPJ: You can’t over-prepare, but we’re very prepared.

HGP: Except maybe in a rare instance in having to negotiate some small change.

VPJ: Yeah, like in what the weather’s brought or something new at a location, things like that.

Boyhood and Before Midnight are both classics of their decade now. What were those sets like?
VPJ: I’m so happy for Rick [that they’re highly regarded]. Boyhood just stretched on. I there were times where we were like, “is somebody in Eastern Europe doing the same thing and it’s going to come out before us?!” We really didn’t know.

To pick it up each year and shoot it on film when all that kind of change [to digital] was in the midst of us shooting… Any time I’m on a set with Rick I feel very fortunate. To see them received in the way they were, it’s really thrilling.

It’s an inspiration to think that no matter what kind of nuanced emotion we write in a scene, she can carry it and do an incredible job. It gives a freedom of inspiration thinking that there’s a possibility that Cate Blanchett can be playing the part.

The book is largely renowned for the way it captures the nuances of Seattle. What types of research did you do for the characters’ occupations and their environments?
HGP: Rick did a lot of interesting, in-depth research for Elgie’s technology role and the kind of things he was developing. He talked to a lot of people involved in Microsoft developing those sorts of things, to bring that in the most detailed and up-to-date way.

For architecture, Rick arranged some meetings with some really great architects to go and talk to them about the language they use. As far as Seattle goes, there’s no greater resource for that than the novel itself. Maria really knows that world and has so many funny and interesting outsider opinions about it that I felt it was the perfect way to learn about that.

What did you feel you could bring to the element of marriage when writing as a married couple?
HGP: That’s interesting.

VPJ: That is interesting. Well, we’ve been married for 26 years.

HGP: I do think that all three of us brought in our past relationships and our current relationships to the process. I believe it’s a realistic portrayal of the quest to keep improving your life through self-discovery. It’s a unique story that you don’t really see a lot of.

That whole idea that you can’t ever really know anyone, but that doesn’t mean you can’t try—Rick really loved those words, they’re the opening words of the novel. It’s this idea that the other person is always somewhat unknowable, but you keep trying to get to know each other while you change through the years.

VPJ: The search continues! You find new things.

HGP: Nothing is more rewarding in life than those close relationships that last decades.