The filmmaker behind Zoey Deutch influencer satire Not Okay on cinematic tragedies, cringe comedies and great films for Jersey girls and queer folk. 

A Life in Film chat with Letterboxd fave Melanie Lynskey about fart jokes, comfort comedies, foundational film idols and her obsession with Kevin Hart.

As the phantasmagoric Florida retiree documentary Some Kind of Heaven lands on Hulu, Gemma Gracewood checks in with our new favorite B-grade-movie-loving retiree and future horror-film star, Barbara Stanton.

Blockbuster composer Tom Holkenborg, aka Junkie XL, talks to Gemma Gracewood about composing for titans, Dutch cinema, and his friendship with George Miller. Plus: why he’s selling his prized collection of recording gear.

As the bonkers genre thrill-ride Shadow in the Cloud blasts into the new year, writer and director Roseanne Liang unpacks her love of Terminator 2, Chloë Grace Moretz’s face, and a life lesson learned from Cheng Pei-Pei.

As her new comedy I Used to Go Here opens, Chicago-based writer and director Kris Rey talks to Letterboxd editor-in-chief Gemma Gracewood about turning 40, divorce, female friendships, why nobody but Jemaine Clement could pull off a scene making tea, and what we can all learn from Generation Z.

Spaceship Earth documentarian Matt Wolf on snark, queer cinema, the survival of our species, and the ten films he’d take into a biosphere.

To celebrate The Black List’s annual survey for 2019, we put the Letterboxd Life in Film questionnaire to its visionary founder Franklin Leonard.

Lulu Wang, writer and director of The Farewell, on taking her time.

Documentarian Crystal Moselle on working with the Angulo brothers and running with The Wolfpack.

Jabin Dickins, special effects on-set supervisor for Mad Max: Fury Road, on the films that inspired his love of pyrotechnics, working with George Miller, and that truck explosion.

Slow West writer-director (and Beta Band member) John Maclean on the ’80s titles, music documentaries and soundtracks that formed him.