As Osgood Perkins’ satanist horror Longlegs chills audiences, the filmmaker breaks down four key—and unexpected—influences for his spin on the serial killer genre.

Annie Lyons delves into the therapeutic powers of theater with Sing Sing’s Greg Kwedar and Ghostlight’s Kelly O’Sullivan and Alex Thompson as the two Shakespeare interpretations enter the spotlight.

With her directorial feature debut Janet Planet now in theaters, Pulitzer Prize-winning writer-director Annie Baker and star Julianne Nicholson reflect with Adesola Thomas about the childhood nostalgia of hazy Massachusetts summers.

Desperately Seeking Susan and Smithereens director Susan Seidelman chats with Katie Rife about her new memoir, punk movies and music, ’70s New York and making your own luck.

As June Squibb shares her life in film—from her love of Gene Kelly and Akira Kurosawa, to being directed by Martin Scorsese, to taking the wheel in the new action-comedy Thelma—Mia Lee Vicino takes notes.

Hit Man star Glen Powell and director Richard Linklater speak to Mitchell Beaupre about the special ingredients for their screwball-noir-romance cocktail, and the evolution of their creative dynamic from coach and player to full collaborators.

Jim Henson Idea Man director Ron Howard shares the creative restlessness and experimental spirit he discovered while crafting a new documentary about the “never satisfied” Muppets master—and the film of his that feels the most Muppety in spirit.  

Backspot director D.W. Waterson and star Kawennáhere Devery Jacobs on obsessive cheerleader culture, healthy queer relationships and being star-struck by Elliot Page. Plus: the consensual intricacies of filming back-flips.  

As Gasoline Rainbow comes to streaming, Rafa Sales Ross chats with directors Bill Ross IV and Turner Ross about the current state of American coming-of-age cinema and the importance of listening to kids.

As Furiosa speeds into cinemas worldwide, director George Miller and stars Anya Taylor-Joy and Chris Hemsworth reveal to Lauren Rouse how they crafted epic action and utilized character to drive everything in the Mad Max prequel.

As Bird soars into the hearts of Letterboxd at Cannes, star Franz Rogowski sits down with Ella Kemp to discuss finding liberation on an Andrea Arnold set.

I Saw the TV Glow writer-director Jane Schoenbrun talks with Katie Rife about finding inspiration in the suburbs, the aesthetics of watching, and investing in themselves as an artist.