Josh Hartnett breaks down his career with Mitchell Beaupre, including his surprise at being cast as a heartthrob in The Virgin Suicides, how Black Hawk Down was changed by 9/11, bringing peak Girl Dad energy to Trap and more.

As Havoc tears it up on Netflix, director Gareth Evans and star Tom Hardy speak with Mitchell Beaupre about the Hong Kong films and ’70s crime dramas that influenced them, then break down the animalistic brutality they brought to their action-noir.

Woman of the Hour director Anna Kendrick breaks down four films that influenced her filmmaking debut, from Agnès Varda and Alan J. Pakula to Jean-Pierre Melville and the Coen brothers. 

Hit Man star Glen Powell and director Richard Linklater speak to Mitchell Beaupre about the special ingredients for their screwball-noir-romance cocktail, and the evolution of their creative dynamic from coach and player to full collaborators.

With his first five features streaming as part of a new Criterion Channel collection, filmmaker James Gray speaks with Mitchell Beaupre about life-risking car chases, ambiguous endings and the beauty in sadness across a career that avoids “homogenized pap.”

From charismatic criminals and green-hued Hulks to Apatow comedies and his first-ever sequel, Eric Bana takes Mitchell Beaupre on a tour through his versatile career.

Michael Mann pops open the hood to tell Mitchell Beaupre about his well-developed stubbornness, his favorite sequences from his career and how real-life crash footage influenced Ferrari’s racing scenes.

ages star Franz Rogowski tells Mitchell Beaupre about taking home his character’s wardrobe, channeling inspiration from James Cagney and being dubbed the year’s most chaotic bisexual.

As Oldboy heads back to theaters with a 4K restoration from NEON, director Park Chan-wook discusses hammer-wielding autograph hounds, complicated villains and the emptiness of revenge.

With a new 4K release from Criterion, Griffin Dunne and Amy Robinson share stories about the enduring anxieties of After Hours, small moments of magic and giving up sex for Martin Scorsese.

Master Gardener filmmaker Paul Schrader on finding roses among the thorns, fixing the film heirarchy, the importance of having final cut—and that Pickpocket ending.

Gregg Araki discusses the nourishing process of restoring his 1995 cult classic The Doom Generation, fostering queer community and how the film reflects on America then and now.