As The Wicker Man turns 50, thousands of Letterboxd head to Summerisle for yet another shot of sacrificial solstice strangeness—or their very first dance around the malevolent maypole.

Introducing a fairer approach to weighting, to better reflect the Letterboxd community’s global consensus for each film.

Leveling up, bringing your earliest collaborators with you and existentialist art: directors Emma Seligman and Zoe Lister-Jones in conversation about what it takes to take charge on set. 

As In the Cut turns twenty, Jane Campion opens up about the erotic thriller’s early critical slamming, crafting sex scenes with Meg Ryan and Mark Ruffalo, and the courage of a great financing partner. 

Be in to win a private screening of Wes Anderson’s new film by following the clues to collect fourteen special Asteroid City-inspired items hidden around Letterboxd.  

The Letterboxd crew celebrates Mother’s Day 2023 by asking our own moms about their favorite films.

Party Girl’s writer-director and music supervisor share production memories, praise feminist librarians and give screenwriting advice while reading your Letterboxd reviews of their 1995 indie gem. 

Oppenheimer writer and director Christopher Nolan praises projectionists, charms cinema owners and compliments audiences during his CinemaCon appearance. 

The Wizard of Oz, The Fast and the Furious and Marlon Brando playing Ken—the Barbie crew bring a sneak preview to CinemaCon. 

The language of dreams, the dangers of complete freedom and the rewards of wonky Letterboxd histograms: the minds behind Enys Men and Skinamarink share gear and influences. 

For Valentine’s Day, the Letterboxd crew and filmmakers reminisce about the movie characters that first gave them funny feelings.

From leaping luchadors to chaotic bisexuals, past lives to eternal memories, our Sundance team selects the highlights of this year’s fest.