Gemma Gracewood chats to documentary-maker David Farrier about crying on the phone to his producers, how to deal with an audience laughing at your distress—and what a year away from Mister Organ has done for his psyche.

At the IMAX world premiere of A24’s glorious Stop Making Sense restoration, Gemma Gracewood and Ella Kemp talk to Talking Heads about creating connections, having fun and spider-dancing. 

Gemma Gracewood reports from a TIFF missing most of its A-listers, but putting its best independent foot forward in the interim, with cheers of solidarity from Jessica Chastain, Bowen Yang, Devery Jacobs and more. 

Letterboxd correspondents sift through the prestige pictures (Michael Mann!) and indie gems (Kitty Green!) coming to the Venice, Toronto, London and New York Film Festivals to present our most-anticipated of the festival season.

As Kamila Andini’s Before, Now & Then comes to US cinemas, the mother of contemporary Indonesian cinema muses on mistresses, dreams and what kind of horror film she should make.   

Steven Soderbergh talks with editor in chief Gemma Gracewood about his new satire starring Michael Cera as an A.I. billionaire, the 25th anniversary of Out of Sight and why we should get tax credits for doing karaoke.  

Introducing our round-up of the best of the month’s new under-the-radar releases. This edition includes uncanny aliens, Neutral Milk Hotel and the neurodivergent teens staging a John Farnham musical. 

As we march past day 100 of the WGA strike, the Best in Show team calls on special guests Steven Soderbergh and actress/SAG-AFTRA strike captain Kate Comer for answers to the Letterboxd community’s questions.

Should I cancel my streaming services? Is it scabbing to write a Letterboxd review? Our Best in Show crew answer your questions about the WGA and SAG-AFTRA strikes and what it all means for film fans.

Mad Max maestro George Miller s feature film newcomers Danny and Michael Philippou (Talk to Me) for an all-Australian conversation about action sequences, the tension in Babe and Bong Joon-ho’s influence on Furiosa. 

With Letterboxd in Japan among the first Studio Ghibli fans in the world to see Hayao Miyazaki’s The Boy and the Heron, we look for clues to the mysterious new film from the master storyteller.

Blockbuster sequels, first-time filmmakers and a record number of women directors mix it up in the Letterboxd Top 25 at the 2023 halfway point. Jack Moulton and Gemma Gracewood report.