In celebration of Mother’s Day, the Letterboxd crew shares the love for our favorite movie moms, from Marmee March to murderous matriarchs and beyond.

As Mickey 17 takes audiences into Bong Joon Ho’s singular world once again, we dive into the Letterboxd community’s ranking of the director’s entire filmography from best to worst.

In an annual tradition, we round off awards season by crowning our Most Picture. Ella Kemp hears from the Letterboxd logging Dune: Part Two up to 200 times, as well as director Denis Villeneuve and the sound and visual effects teams of this year’s most rewatched Best Picture nominee.

The Letterboxd crew proudly present our inaugural celebration of the finest hyper-specific achievements in the past year of cinema. Our wildly subjective awards honor the best in categories ranging from Girl Dad to Sexy Accessory to Prosthetic Appendage. Envelopes, please! 

For Valentine’s Day, Letterboxd staff and contributors celebrate the cinematic couples who make us swoon, sigh and shout, “Love is real!”—from Jackie Brown and Max Cherry to Charles Grodin and Miss Piggy.

Invigorating documentaries, dreaming loggers, freaky fairy tales and the unraveling of many more than Two Women rank among our crew’s highlights of this year’s Sundance Film Festival.

With Babygirl continuing to heat up theaters, Ella Kemp speaks to filmmaker Halina Reijn as she pours us some milk and opens the film’s little black box of scintillating fantasies.

Denis Villeneuve’s spicy sci-fi epic, Malayalam magic and scrappy low-budget comedies are just some of the highlights among Letterboxd’s highest-rated and most popular films of 2024.

With A Real Pain arriving in international theaters, Jesse Eisenberg and Kieran Culkin reflect on their real-life bond and five lessons the film taught them about each other and themselves.

As Flow continues to delight audiences, filmmaker Gints Zilbalodis s Ella Kemp to chat cats, comparisons to the video game Stray and the greatest joys of doing it all yourself.

To mark the 40th anniversary and 4K restoration of the inimitable Paris, Texas, Wim Wenders tells Ella Kemp about the lost aura of the American West, real-life trick mirrors and refusing the U-turn that the whole world wanted him to make.

Filmmaker (and Letterboxd member) Payal Kapadia talks to Ella Kemp about the Mumbai movies, “wobbly” women and cinematic appeal of trains that shaped her Grand Prix-winning drama All We Imagine as Light.