Dominic Corry responds on behalf of Letterboxd to an imioned plea to bump up the average rating of the 1999 version of The Mummy—and asks: where is the next great action adventure coming from?

Casually breaking new ground for the rom-com genre, writer-director Natalie Krinsky tells Dominic Corry about creating her quietly revolutionary new film The Broken Hearts Gallery—while leading man Dacre Montgomery reveals his Letterboxd habits.

Writer and director Jeffrey McHale talks to Dominic Corry about his new documentary You Don’t Nomi—an examination of the cult surrounding Paul Verhoeven’s Showgirls—and recommends a few campy sequels to watch afterwards.

To mark a conversation with Peter Medak about his new documentary The Ghost of Peter Sellers, which details a particularly tumultuous early 1970s film shoot, Dominic Corry looks at how the inherently nightmarish pursuit that is filmmaking has informed other movies.

Ten indie films you can rent right now, as recommended by Letterboxd .

Life is hard, but here’s one thing we can make easier: how to choose what you watch next. Dominic Corry dives into Letterboxd’s lists to find the highest-rated films that are streaming right now, and shares recommendations from award-winning filmmakers.

West Coast editor Dominic Corry sits down with one of the leading women of Céline Sciamma’s Portrait of a Lady on Fire.

On the eve of its Valentine’s Day wide release, Dominic Corry puts your questions to the writer and director of our highest-rated romance film of the decade, Portrait of a Lady on Fire.

From the first Twitter feature film to Steven Yeun in a tank-top, Letterboxd selects our top ten Sundance 2020 premieres.

From Zola to Kajillionaire via a drink with Jim Cummings, Dominic Corry reports on five premieres at the 2020 Sundance Film Festival.

Director J.J. Abrams and his key cast spill some beans about Star Wars: The Rise of Skywalker. Here’s ten things we learned at the recent press event.

The co-writers and directors of The Body Re When the World Broke Open on single-take filmmaking, Indigenous representation, and identifying with Edward Scissorhands.