Fresh, quirky, and funny. I like how the film changes, approaching different themes and genres, a conversation about the film itself, starting from the editing of a film within it. The intention of a film director against the practicality of an assembly company in front of an open editing program is where the film draws its best and funniest comments about cinema. Also a metalanguage that satirizes itself at all times, almost as if the script was being rewritten, the editing always changing something, and the director was at the mercy of a material that changes. At this time the attachment of a director to certain images can get in the way, perhaps unconsciously he knows that after being finished the work will gradually not belong to him and the film he has in mind starts to occupy the same space as the one that inhabits the viewer's mind, but it was for this that the film was made and faced with this almost inevitable conclusion, the director's character gives in, thus losing his film but managing to save the film. I think that in the end the speech is very expository, but the whole driving is spectacular.