Ingrid and Martha were close friends in their youth, when they worked together at the same magazine. Ingrid went on to become an autofiction novelist while Martha became a war reporter, and they were separated by the circumstances of life. After years of being out of touch, they meet again in an extreme but strangely sweet situation.
隔壁的房間, 隔壁房间, A szomszéd szoba, La Chambre d’à côté, 룸 넥스트 도어, W pokoju obok, O Quarto ao Lado, La stanza accanto, Комната по соседству, Сусідня кімната, Yandaki Oda, เดอะ รูม เน็กซ์ ดอร์, Vedlejší pokoj, ザ・ルーム・ネクスト・ドア, L'habitació del costat, החדר הסמוך, Το Διπλανό Δωμάτιο, Vedľajšia izba, Už gretimų durų, Kõrvaltuba, Sosednja soba, اتاق مجاور, Susjedna soba, الغرفة المجاورة, Съседната стая
Italy Venice International Film Festival 
Canada Toronto International Film Festival 
Spain16 San Sebastián International Film Festival 
Brazil 
USA 
Iceland USA 
South Korea USA 
Switzerland Zurich Film Festival 
Netherlands USA 
Greece Athens International Film Festival 
Austria USA 
India 
UK USA USA Santa Fe International Film Festival USA Philadelphia Film Festival USA Chicago International Film Festival 
Latvia Riga International Film Festival USA SCAD Savannah Film Festival 
Egypt USA 
Japan Tokyo International Film Festival 
Australia Brisbane International Film Festival Australia Adelaide Film Festival USA Virginia Film Festival 
Portugal LEFFEST - Lisboa Film Festival 
Croatia India 
Taiwan Taipei Golden Horse Film Festival 
Estonia Tallinn Black Nights Film Festival 
Philippines QCinema International Film Festival 
Thailand World Film Festival of Bangkok India International Film Festival of India 
Singapore Singapore International Film Festival Australia Sydney, New South Wales USA Palm Springs International Film Festival SingaporeM18 AustraliaM USAPG-13 
Puerto RicoPG-13 
Hong Kong Philippines 
Dominican Republic Spain16 South Korea15 Brazil 12 
Ireland15A 
Sweden UK12A 
Argentina 
Colombia 
Finland Iceland 
Turkey Greece 
Czechia12+ 
Guatemala Taiwan 
Chile14 Italy 
Slovakia15 Estonia 
LithuaniaN-13 
MexicoB Netherlands12 
Peru AustraliaM 
Israel12 
Poland 
Belgium12 
12 USAPG-13 Thailand13 JapanG Hong Kong UK12 JapanG UK12 AustraliaM Argentina Australia Austria Belgium Brazil Canada Chile Colombia Croatia Czechia Dominican Republic Egypt Estonia Finland Greece Guatemala Hong Kong Iceland India Ireland Israel Italy Japan Latvia Lithuania Mexico Netherlands Peru Philippines Poland Portugal Puerto Rico Singapore Slovakia South Korea Spain Sweden Switzerland Taiwan Thailand Turkey UK USA
could’ve been gayer
oh to live in Pedro Almodóvar's America, where an AirBnB might just casually have a copy of John Huston's "The Dead" on DVD.
This review may contain spoilers. I can handle the truth.
convinced at this point tilda swinton does not show up to set unless she’s playing minimum two roles
"she looks so like you" almodóvar was so real for this
it’s like they put the script through google translate 4 times
This review may contain spoilers. I can handle the truth.
The daughter face reveal at the end is so unserious I’m obsessed
pedro, you know just what girls want: existential dread, emotional damage and julianne moore wearing deep red
there are lots of ways to live inside a tragedy
I’m going to text a few friends and explain to them the premise of this movie and then ask them, would you ever do that for me? Just to see who the real homies are.
I already know there’s gonna be reviews justifying the dialogue as camp, but it’s not it’s just terrible screenwriting.
Almost every single line feels completely contrived and derived of any sort of authenticity.
The performances are just as flat and the only saving grace is a few fun uses of color.
Wouldn’t waste your time with this one when it comes out.
Most of The Room Next Door feels like a personal trainer giving me a non-physical hug.
julianne moore eats the biggest fucking grape i’ve ever seen in my life
