The story of a precocious six year-old and her ragtag group of friends whose summer break is filled with childhood wonder, possibility and a sense of adventure while the adults around them struggle with hard times.
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Cannes Directors' Fortnight Champs-Élysées Film Festival 
CanadaR Toronto International Film Festival 
Spain Donostia-San Sebastián International Film Festival 
USA New York Film Festival CanadaR Edmonton International Film Festival USA Maitland, Florida CanadaR Vancouver International Film Festival 
Hamburg Film Festival 
South Korea15 
UK 
Taiwan Taipei Golden Horse Film Festival 
Singapore Singapore International Film Festival 
Netherlands12 International Film Festival Rotterdam Netherlands12 PAC Festival Netherlands12 IFFR in Groningen 
Ukraine American Independence Film Festival 
Hong Kong Hong Kong International Film Festival 
China Beijing International Film Festival China Shanghai International Film Festival Netherlands12 Movies That Matter Film Festival USAR Canada 
Ireland15A UK 
Switzerland 
AustraliaMA15+ 
Greece 
Hungary16 Taiwan 
FinlandK-12 Netherlands12 Switzerland Spain16 
Portugal 
Brazil14 
Denmark11 Singapore 
Turkey South Korea15 
Russia18+ 12 
LithuaniaN-13 
Italy Hong KongIIB 
Uruguay LithuaniaN-13 
Japan 
Romania 
Poland16 China 12 China U 
Thailand 12 
Austria16 CanadaR USA UK15 Taiwan Netherlands12 Japan Australia Austria Brazil Canada China Denmark Finland Greece Hong Kong Hungary Ireland Italy Japan Lithuania Netherlands Poland Portugal Romania Russia Singapore South Korea Spain Switzerland Taiwan Thailand Turkey UK USA Ukraine Uruguay
this is the first time willem dafoe has not looked like the human embodiment of evil he was truly willem dafriend in this
The last sequence is shot digitally. Yuck!
I just wanted to inform those who care that I'm deep in development on my next film. So I'll only be logging for the time being. Not adding any info or replying to comments. But thank you for following me on this platform. It's been fun to connect with fellow film lovers. I'll be back as soon as I can.
the theaters when they open! Stay safe! :)
And no.. I didn't really watch it.
“You know why this is my favorite tree? Because it tipped over, and it’s still growing.”
There isn’t a more accurate portrayal of children in film
This review may contain spoilers. I can handle the truth.
How did they get in the park though?
This review may contain spoilers. I can handle the truth.
I so badly wanted to give this a 4.5 upon re-watch, but there's just something missing in that middle stretch that prevents a bumping of the rating. Still easily one of my favorites of 2017, and I'd like to touch upon a few additional things I really appreciated:
1. I really love the camerawork, especially as it relates to the interaction between the kids' world and the adults' world. There are several moments where Baker and Zabe choose to shoot the kids' heads from behind as a conflict plays out immediately in front of them, e.g. when Scooty watches Halley and Ashley fighting or when Moonee and Jancey walk towards the Child Protective Services people the first time. The heads…
Extra half-star just for Dafoe and the birds.
“I feel bad for her because she’s about to cry. I can always tell when adults are about to cry.”
I’ve seen this movie four times now because I think it’s fun to feel my heart break a little more and more each time I watch it. The hero shot of Bobby walking out of the electrical closet after fixing the power and being cheered on by the motel is my new favorite moment on this watch.
once i was in an elevator with Willem Dafoe and i didn’t know what to say so when i got off at my floor i winked at him as the doors closed
sean baker really wanna fuck around and give me a crush on willem dafoe
This review may contain spoilers. I can handle the truth.
This is a masterpiece. It’s everything I want from cinema. Bold and beautiful and angry and deep and hopeful and true.
The moment at the end of the movie when the format switches (right before they head into Disney) is one of the more profound moments I’ve had in a theater in some time. As a filmmaker, I knew where this was going. I understood immediately the literal theft of the Disney footage that was to come. And in that moment, form was married to content was married to character was married to story in a truly transcendent way, and it shook me to the core. When the picture cut to black, I broke the fuck down.
the grand budapest motel
