It's Christmas Eve in Tinseltown and Sin-Dee is back on the block. Upon hearing that her pimp boyfriend hasn't been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity.
탠저린, タンジェリン, Tangerine: Chicas Fabulosas, Мандарин, 橘色, Tangerine L.A., Mandarynka, Мандарина, Tangerina, 跨性有話兒, 夜晚還年輕, แทนเจอรีน
USA Sundance Film Festival USA San Francisco International Film Festival USA Seattle International Film Festival USA Oak Cliff Film Festival 
Australia Sydney Film Festival USA BAMcinemafest Australia Melbourne International Film Festival 
Deauville Film Festival 
Brazil Rio de Janeiro International Film Festival 
UK BFI London Film Festival 
Italy Torino Film Festival Australia Darwin International Film Festival 
Canada18A USAR Australia 
Hong KongIII 
Ireland UK15 Brazil 
Argentina 
Mexico 
PortugalM/16 
South Korea19 
JapanR15+ 
Austria16 USAR USAR Argentina Australia Austria Brazil Canada Hong Kong Ireland Italy Japan Mexico Portugal South Korea UK USA
whats the point of getting out of bed in the morning if the colors in real life aren't as vivid or dreamy as a sean baker film
“YOU DIDN’T HAVE TO CHRIS BROWN THE BITCH” is my favourite line in cinematic history makes me almost piss every time
this shit just became my new favorite christmas classic
LA’s a shithole and the iPhone is the perfect tool to translate that to screen.
say my name, say my name
I am often skeptical when actors claim they had significant input into a film, mostly because most major actors are, more than anything, experts at projecting an image, and it is to their benefit and even to the benefit of the writers and directors and so on behind a film to let them take that credit. They are, after all, the face the audience is buying tickets to see. However, some performances are so strong that it's clear that even if the director told the actor every move to make, the actor's skill is what is behind the quality of the performance (think Mifune), and some actors have a public persona that is definitively not the crafted persona of a…
Donut Time forever.
Honestly the most “LA” movie I’ve seen in a long time- by which I mean it captures the spirit and feeling and people of LA as I know it, more than so many other films that try to depict LA as people want to see it. The iPhone aesthetic of it all lost its value to me so quickly and became really distracting and kind of frustrating, but I still really dug this! I love that Sean Baker seems dedicated to making humanizing depictions of the lower class that don’t lean heavily on the tragedy of living without privilege (save for one moment that was so unexpected it kind of broke my heart.)
steve jobs whom? sean baker invented the iphone
god that last shot was so beautiful this movie really fucks
I'm so tired of people pretending there aren't two T's in LGBTT one of them stands for Tangerine (2015) directed by Sean Baker
YOU DIDN'T HAVE TO CHRIS BROWN THE BITCH
