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I really enjoyed this film. It lets you feel many emotions at once, but most importantly, it’s simply beautiful. It’s about a night when everyone has a story to tell, and each person shares it in their own way these secrets between driver and enger. Every scene was perfect: the color palette, the music, and the flawless form. Please, go watch it!

Kurosawa is a rare genius. This film is beautiful in every way. The story is deep and meaningful, and classic cinema always feels special. It mixes class conflict with a crime story in a smart way. The small details are amazing, and the actors perform with real skill. Kurosawa uses strong symbols, and the camera work and style are perfect. The story pulls you in completely.

This film is full of pure beauty. It has amazing scenes, perfect form, and a story based on one of the best novels. There’s a forbidden love, a strong contrast between youth and age, flashbacks that come out of nowhere but slowly build the full story, and an ending where everything comes together.

Every Michael Fassbender film has a dirty undertone.

Post-war Asian cinema is often very beautiful. And this movie is not just an art horror film, it's also a strong anti-war film. It focuses on the weakest people in society and their hidden desires, brilliantly connecting all of this with Japanese myths. The movie has a great form, and the music is wind in the reeds and Japanese sounds. You should really enjoy this Japanese classic.

You’ll need serious patience for a seven-hour film—it’s a one-sitting ride. It unfolds like a great novel, full of metaphors. The long, lovely shots are split into twelve parts, jumping between past and present. Everywhere you look, there are symbols: a false messiah, endless mud, wild rain that just dirties everything more, and a utopia where death has seeped into every corner.

Forget every Western you’ve ever seen—this one’s different. It’s a work of art: amazing shots, a great anti-hero, a thrilling plot, and deadly snow. It’s pure Americana, and if you want an anti-capitalist example, this is it.

It’s not a bad film: the colors are fantastic, the music rocks, the shots are solid, and Oslo is beautiful.
Aksel is the only well-drawn character—you can relate to him: he’s been betrayed, misunderstood, stuck in his past, and facing death.
But the script is too preachy and doesn’t show julie growth at all.

“Sometimes good,sometimes bad—it subverts high-school movie clichés but still feels preachy.

What a script.

Two people, just talking—no distractions—and it’ll make you cry, and this damn director, everything he makes is amazing. The story of Paris،Texas—you never really reach it. And that color that blends into everything, and that fucking guitar of loneliness.

David Cronenberg is a master—everything he makes is masterpiece.
A real body horror.
sound design is flawless, and symbols fit perfectly. How did he forty years ago, show the power of media and technology so clearly?

The movie’s anti-capitalist message was so heavy-handed it broke its core story. It’s a shame such a great film got ruined by cliched politics.

Thank God for creating Alain Delon.
Thank God for Italy.
Thank God for classic cinema.

In Asia, tradition and modern life always fight, yet tradition usually wins—though in every home its emptiness becomes clear.
Absolute Cinema and its final scene are the key moments that break free from tradition.

It's about something more than creativity, it's about making something.
In one word masterpiece.
All green and red colours in the scenes and the all that tense.
تو یه کلمه شاهکاره شاهکار فکر کن هفتاد سال قبل همچین چیزی بسازی

Ideology robs you of everything and at the end leaves you with an empty shell.
“Under the shadow of ideology and its repercussions, love, hate, friendship—even nature—become stripped of meaning.
Everything turns into a painful experience, and not every kind of growing up truly counts as growth.

Also casting was amazing

Everybody have a secret, everyone live in inner pain that's the massage i guess,director have an idea...

Watched on Thursday May 23, 2024.

Ridley Scott is getting too old,fucking empty movies

All NAKED BUT NOT TOO MUCH

Watched on Wednesday January 31, 2024.

For everyone who lived this scenes,but reality is so much darker than you think...
Colour and form was excellent and end scene was epic

Watched on Friday April 11, 2025.

Maybe we should wait until marriage. I’ll go into the film’s technical stuff later

خیلی خنده دار و کلاً حل شده توی آسیای پس از جنگ،تو همین فیلم کوچیک با همین ژانر ساده کلی کهن الگو و اسطوره بود که فقط از پس یه کارگردان خفن بر میاد از فرم و رنگ بندی سکانس ها هم که دیگه بیخیال...
روایت غیر خطی ریدن تو شلوارت هم اوج ماجراست

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