๐˜ฝ๐™ง๐™ช๐™ฃ๐™ค ๐™Ž๐™ฉ๐™–๐™ง๐™ง๐™ž๐™ฃ๐™œ โ˜‘๏ธ

Favorite films

  • Whiplash
  • Chicago
  • The Pianist
  • All That Jazz

All
  • Final Destination Bloodlines

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  • Thunderbolts*

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  • Star Wars: Episode III โ€“ Revenge of the Sith

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  • Sinners

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More
Final Destination Bloodlines

2025

โ˜…โ˜…โ˜…โ˜… Liked 23

โ€œDeath doesnโ€™t like it when you mess with his plans.โ€

I'll tell you one thing: โ€œFinal Destination: Bloodlinesโ€ is back, and it's as if the franchise has never missed a beat! After a 14-year break, I honestly wasn't sure if they could pull off the same gut-wrenching, edge-of-your-seat horror, but boy, did they!
This time, we're following Stefani (played by the fantastic Kaitlyn Santa Juana), a university student who simply can't shake these brutal, vivid nightmares. You know how itโ€ฆ

Thunderbolts*

2025

โ˜…โ˜…โ˜…โ˜… Liked 29

โ€œLook, I've been where you are. The past doesn't go away
So you can either live with it forever, or do something about it.โ€

After a streak of unstable phases and broken promises, "Thunderbolts*" comes in as the unexpected spark that reignites Marvelโ€™s engine. Forget polished edges and flawless heroesโ€”this time, the house is a mess, and thatโ€™s exactly what makes it interesting. Directed by Jake Schreier, a newcomer to the MCU, the franchiseโ€™s 36th film embraces moral grayness, emotionalโ€ฆ

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Challengers

2024

โ˜…โ˜…โ˜…โ˜…ยฝ Liked 27

"For about fifteen seconds there, we were actually playing tennis. And we understood each other completely. So did everyone watching. Itโ€™s like we were in love. Or like we didn't exist. We went somewhere really beautiful together."

'Challengers' is a film about ion. This makes sense, as Guadagnino also directed ('Call Me By Your Name,' 'Bones and All') and itโ€™s all full of ion. But the ion here is twofold.
The characters really feel this way about tennis and theyโ€ฆ

The Substance

2024

โ˜…โ˜…โ˜…โ˜…โ˜… Liked 29

โ€œThereโ€™s been a slight misuse of the substance.โ€

โ€œThe Substanceโ€ is a bold work that blends body horror and social critique into a provocative narrative. The film stands out for its grotesque and sexy aesthetic, harking back to cinematic masters such as David Cronenberg and Stanley Kubrick. Coralie Fargeat doesnโ€™t shy away from exploring the depths of desire and decadence, creating a visual spectacle that defies convention. "The Substance" isnโ€™t particularly subtle in its message: Hollywood has a preference forโ€ฆ