Weekend Watchlist: Avatar: The Way of Water, BARDO and Nanny

Episode notes

MITCHELL Hello and welcome to Weekend Watchlist—a look at what’s the screening and streaming, brought to you by The Letterboxd Show. I’m Mitchell, he’s Slim…

SLIM Hello.

MITCHELL And together we’ll dig through what’s dropping this weekend, last weekend, recent trends on Letterboxd and we’ll also take a peek at our own watchlists, all under 30 minutes or they will rerelease Father Stu in theaters and call it Father Stu Reborn—wait, sorry I’m just getting word they have released Father Stu back in theaters and they’ve called it Father Stu Reborn.

SLIM The Father Stu army is now satiated with the rerelease. Mitchell, Jim Cameron, the king of cinema, is finally back with a sequel to Avatar after over a decade, a little longer than we thought it would be after the first Avatar. Are you ready for [Avatar: The Way of Water]?

MITCHELL We’ll get to that. [Slim laughs]

SLIM We’ll also chat Alejandro G. Iñárritu’s Bardo on Netflix and the Nanny on Amazon Prime. And from there we’ll dig into your community reviews tagged Weekend Watchlist, what that same community thought of last week’s movies and we’ll shuffle our own watchlists once more together.

MITCHELL Let’s just get right into it, Slim. You know, Avatar: The Way of Water, the big one. What I find interesting, 94,000 watchlists, not as much as The Whale, still. That whale swimming in those waters, that’s the real way of water, I think. The Whale is still dominating with what? Was it like 130,000?

SLIM It’s the most in the history of Weekend Watchlist so far.

MITCHELL That was bonkers. So I think James Cameron better watch out. The Whalee is coming for that box office record, [Avatar: The Way of Water], you know, look out Jim. But if people want to check out Avatar: The Way of Water, if anybody hasn’t heard of it. Synopsis: “Set more than a decade after the events of the first film, learn the story of the Sully family. The trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive. And the tragedies they endure” Slim, we’ve been dancing around it a little bit. I am not, I’m not a big Avatar person. I’ll just say it.

SLIM Let it out.

MITCHELL Safe space. I’m not—I like James Cameron. Avatar, the first one, I just couldn’t get into it. I tried it a couple times, couldn’t get into it. But people are stoked for this movie. I’m very happy for people who are stoked for this movie. It is nice to see just a community coming around embracing the magic of cinema. I know you and your son got to check this out last night at a screening. And you left a very—I really liked your Letterboxd review. Why don’t you tell the people what your experience was checking out [Avatar: The Way of Water]? Like genuinely, I thought it was very sweet of you.

SLIM Thank you. Thank you. We we went to King of Prussia PA for an early screening, double masked up on our way into that theater. And believe it or not, they actually confiscated our phones in front of the theater. They had like, I thought we were at a concert or something.

MITCHELL And you never got it back. Right? You don’t have your phone now.

SLIM Still waiting to get my phone back from that brown paper baggy. So yeah, we sat down. It was my son’s first 3d movie experience. And we were chatting, you know, because we didn’t have our phones. So luckily we had to chat with each other. I asked him, I was like, do you what your first 3d movie was? And he had a memory of like Legoland, we would go to Legoland. And there was like a mini-theatre in there. And I was like, well that this is gonna knock your socks off. And it was my first 3d experience since the first Avatar, which is bonkers to think about. Because , like the hype and the discourse around the time was like, “3d movies, this is going to change everything.” And then I haven’t seen a 3d movie since the first Avatar. And he was like, in awe. His mind was blown. And to be honest, my mind was blown because I had forgotten what that experience was like seeing a movie in 3d, and let alone like an Avatar movie in 3d. It just felt so crazy. The special effects are mind-boggling. And in my review, I wrote about how after the movie went, the credits went up and I was talking to him about what he thought, like what’s your rating? What’s your Letterboxd rating? He’s like, it was pretty good, 4.5 stars I think. And really my main takeaway from this movie was walking to our car in the parking lot with him talking about the movie experience. And he’s going to be twelve in December. And my dad grew up a huge movie buff. And I was just thinking to myself like, man, what a great memory we have leaving—this is not a joke—but like leaving [Avatar: The Way of Water], a big movie release, this is going to be a big moment in cinema. And we have this memory of us talking about what we liked, what we didn’t like. And it really just tickled me that I had that memory with him and he had a great time seeing it.

MITCHELL Yeah, I think and that’s like one of the things with a movie like Avatar, where I think even if it’s not like my thing people just it captures that idea of like the magic of going to the movies in a way that not a lot of movies really have anymore. I’ve I mentioned before I’m not a big like fan of the Marvel movies or even the more recent Star Wars kind of stuff, there aren’t a lot of like big event movies that I’m really huge on these days. But I really do love going to the theater with, like my mom and I would always go see all of the Marvel movies. And she would always be like, I didn’t really understand most of what was going on, I can’t follow like the plots of them. But you know, she just really liked the excitement and being in the theater. We would always go opening night for the Marvels, for the Star Wars. And even if I don’t love the movies, those are kind of the only times that I’ve in the last ten years been able to feel like that same feeling of being a kid and like being at the movie theater on opening night with a movie that the crowd is so amped for. And so yeah, I really love that review. I love that Jim Cameron is bringing people back to cinemas for something like that. I will say the only movie that I ever saw in theaters in 3d was Steven Spielberg’s The BFG. I saw it on a date—shout out Carla, my good friend Carla. I don’t think there was a second date, but we’re still friends. I think that you can’t follow up on a relationship after you see The BFG on the first date.

SLIM Is Carla on Letterboxd? Carla, if you’re listening, reach out. We’ll follow you on Letterboxd, or at least I will. I don’t know if Mitchell will.

MITCHELL I don’t think she is. Let’s throw out some some Letterboxd reviews people are hyped for the review embargo dropped the day before we’re recording this episode. So people are again some of their own words out. Katie Walsh’s review: “if "The Way of Water" was the last film Cameron ever made, it’d be appropriate, as all of his cinematic obsessions coalesce within this gargantuan slice of mind-boggling spectacle presented with classical action-adventure storytelling.”

SLIM Oh my gosh. Let’s move on to Bardo, Alejandro G. Iñárritu. 33,000 watchlists. This is going to be on Netflix. Full title: Bardo, False Chronicle of a Handful of Truths. His first movie since The Revenant. “Renowned Mexican journalist and documentary filmmaker living in Los Angeles is named the recipient of a prestigious international award. And he’s compelled to return to his native country unaware that this simple trip will push him to the existential limit.” So I am aware of like the Birdman hype and The Revenant hype, but I’ve actually kind of avoided the hype for the most part. So this director is really kind of out of my purview. What about you? Are you hearing anything about this movie? What’s your relationship to this director?

MITCHELL Yeah, I haven’t been too big of a fan of his stuff. I didn’t really like Birdman. I really didn’t like The Revenant but I am interested in how people are responding to this one, especially Jack who does all the facts and everything for us on the podcast has noticed that—so the film premiered at I think it was Venice where it first premiered and it got kind of a negative reception from a lot of people and they sort of like recut it, or maybe it premiered at like Berlin. It premiered at one of the festivals and then when it came back for like other festivals, it had been recut, he worked on it a little bit and it started getting a little bit more of a positive reception. But Jack had noticed that on the Letterboxd average rating for it really started going up especially when it got released in Mexico. It feels like people who have a closer relationship to what Iñárritu is assessing in this movie are getting a lot more more out of it. I know my friend Carlos Aguilar really, really loved it and has like spoken to Iñárritu a few times, moderated some Q and A’s and everything but he really, really responded to and has really been pushing for it. So I’m curious to see what’s going on here. It is very long.

SLIM Longer than [Avatar: The Way of Water]?

MITCHELL It is. Okay, 160... What’s [Avatar: The Way of Water]?

SLIM [Avatar: The Way of Water] is like 500 minutes or something. 192! Oh my god!

MITCHELL 192, over three hours. What is this, Jeanne Dielman?

SLIM Jake Sully, 23.

MITCHELL We’ll check out some of the Letterboxd reviews. I think Ana V’s review for Bardo is maybe coming for some of the Bardo haters. Anna says: “We are the product of what was, what is, what could have been - Alejandro González Iñárritu understands that better than most, and it was an absolute delight to embark on this journey through his alter ego’s psyche. I laughed, I cried, I wondered, I reflected. And what is the purpose of cinema if not that?” I mean, that’s a good sell.

SLIM That is a really sell. That almost made me put it on my watch list. The trigger finger was over the button in the app, but I didn’t do it. But maybe I will.

MITCHELL One film that I did get the pleasure of seeing back at Sundance this year where it won the Grand Jury Prize is a Nanny right and directed by Nikyatu Jusu, on 16,000 watchlists. This one’s coming out on Amazon Prime. The synopsis for this one: “Aisha, an undocumented immigrant, lands a job as a nanny for a wealthy Manhattan couple. As she prepares for the arrival of the son she left behind in Senegal, a violent presence begins to invade both her dreams and her reality, threatening to destroy the American Dream she is painstakingly piecing together.” I saw this one back at Sundance, I really loved it. I watched it after it won the Grand Jury Prize, you have a couple of days after they do their awards to catch up on some stuff. And Samm and I were like, oh, this one, you know, the big prize, we got to make sure to check this out before Sundance is over. It was the last movie that we watched during Sundance. And I mean, it really, really blew my mind. She does a great job of incorporating like folklore and the specific themes that she wants to come out on through the cinematic language of horror. And I think that it is, it’s like crazy that it’s a feature debut. She’s done a bunch of shorts, all of her shorts I think are available on the Criterion Channel right now if people want to check those out before or after seeing Nanny. But for a feature debut, it really is so assured. You can tell that she has been like kind of building up to this for a while. But how about for you? I know you haven’t seen Nanny yet. Are you hyped for it?

SLIM No, but I read the synopsis this week, and it sounded right up my alley. It was reminding me of some of the horror movies, maybe like loose horror thriller movies we’ve touched on this year on Weekend Watchlist that eventually moved to Shudder. And it also reminded me of His House on Netflix, which was another feature debut that I fell absolutely in love with, which unfortunately has like gone to the wayside, it’s fallen into the Netflix you know, cellar of millions of releases. So if anyone is looking for a new kind of horror movie, from a different perspective, definitely check out His House. So I’m excited to watch this and I’m more excited that it’s on Amazon. So this weekend, you know, Four Faves, the season’s over. I can just fire up Nanny.

MITCHELL You can watch wherever you want, buddy.

SLIM Saturday afternoon if I wanted to! Maybe I’ll pull the curtains down, heat up some popcorn. It’s my time! So I’m excited to watch this.

MITCHELL Get a holiday viewing of Robert Daniels’s Letterboxd review, Robert Daniel said: “Wow. An unreal Anna Diop, lush cinematography by Rina Yang, and devastating use of folktales by Jusu. Such a smart film about the exploitation of African immigrant mothers, and how often they’re excluded from the American dream. People need to see this movie, and do the work it demands. It’s worth it.” I strongly agree with that.

SLIM Okay, watch it this weekend. Tag your review Weekend Watchlist so we can spotlight it next week. So speaking of which, looking back at last week, we’ll spotlight our community reviews with that tag of Weekend Watchlist. Just a reminder, next week we’re gonna be doing a special segment holiday watchlist. So tag your list with your favorite holiday movies that you’re gonna be watching over the next few weeks and we’ll spotlight them next week. I saw Pinocchio last week, the big Del Toro release. The king. The God, they say, del Toro on Twitter. I liked it. I liked it. Wasn’t bad, you know, it takes place in like fascist Italy, the stop-motion animation is insane. I don’t know how they do this stuff. I don’t even want to know because I don’t want to take out the prestige of this kind of animation. The intro, the beginning had a lot of heart. I wish the rest of the movie had the same amount of heart. I also would have loved more time in the dead puppet underworld that is shown in a few scenes, but I had fun. Glad I was able to see it.

MITCHELL Yeah, I gotta check this one out. It’s on my list. I definitely want to make sure that I see it by the end of the year. Like everybody, the stop-motion in it. People will just not stop talking about it. I’m like, I get it. It probably looks great. I understand. I’ll watch it.

SLIM They’re going nuts, Mitchell, over the stop-motion animation.

MITCHELL I’ll shout out a review here that was tagged Weekend Watchlist from JoeJazzy: “I would not have thought of retelling Pinocchio with fascist Italy as the setting, but that's why Guillermo is the master. What a setting to retell this classic in, Disney could never.” Shots fired.

SLIM Disney, retire already. It’s over for you. What about you? What do you want to spotlight?

MITCHELL Yeah, I’ve been catching up on some stuff. You know, still working through my massive pile of screeners that I’m finally getting the chance to see. Some stuff that I haven’t connected with quite so much, but also I’m getting to see some that I’m really loving. I watched Hirokazu Kore-eda’s Broker  finally, which has been one of my most anticipated of the year. I’m a huge fan of him. I have a Shoplifters poster on my bedroom wall. He’s got Song Kang-Ho who people know from Parasite and other Bong Joon-ho movies as the lead in this one. It’s about like, it’s more narratively heavy than a lot of Kore-eda’s movies. So there’s some Letterboxd reviews complaining a little bit about the contrivances in the narrative, which I don’t disagree with. But I think that he makes them work because his filmmaking is always so focused on characters first, and like he just is a very humanist filmmaker. And the emotions in his movies really, really sneak up on you. So it’s like one of those directors where you’re watching his movies and you get like 90 minutes in and you start crying and you’re like, oh, I had no idea that this movie was even like that, I was that emotionally invested in this, but it really sneaks up on you which I liked a lot. I also watched Hit the Road by director Panah Panahi, who is the son of Jafar Panahi who is in prison right now for protesting in Iran. And Hit the Road also a very similar thing, Samm and I watched that one together. It starts off, it’s about just like a family on a road trip to get their son into like sanctuary. And it sneaks up on you because it’s really funny at first, it’s just like this family on the road and by the end of the movie, I was like a mess of tears and it’s pretty dope. I mean, that one’s that one’s available like on VOD and everything right now. So if you want to check out Hit the Road, definitely check that out. *Broker *is coming out in limited theaters around Christmas time and then I’m sure NEON will put it out in more theaters in 2023.

SLIM You’re talking about being in tears, I finally was able to watch Aftersun from Charlotte Wells, four and a half stars from me. FYI, folks. Four and a half stars.

MITCHELL Flynn Slicker, our social media manager, top five of all time, Flynn has declared for Aftersun on her most recent rewatch. So if you haven’t been checking out Aftersun, get on it. I think it’s on, A24 did like a screening room thing. Yeah, so it should be out on VOD probably next week or something if people want to catch up with that one. Let’s take a look at what’s going on with the Letterboxd Top 50 of 2022. Jack let’s us know, this is the last update we’re getting for this year before our big, whopping mammoth Year in Review 2022 coming in early January, where all of the stats we’ll be diving in, we’ll get to see what the official locked in, enshrined in gold forever, the top films of 2022 on Letterboxd, as well as the most watched directors, actors, actresses so many other stats flying your way soon. And you’ll also get see, that’s where you’ll see where Babylon and Avatar: The Way of Water, and some of these other last breaking films are gonna rank.

SLIM Maybe [Avatar: The Way of Water] is gonna be the number one movie of the year. Could it be? Could it be? [Mitchell sighs] Mitchell doesn’t even know what to say. How to politically respond to that statement without ignoring me completely.

MITCHELL Or could it be Puss in Boots: The Last Wish, which has landed on the list at number 40 right now. Jack says this is a pleasant surprise because the first Puss in Boots film from 2011 currently has a 2.9 average rating. So Puss in Boots: The Last Wish getting a huge bump, you know, a big, big pull up from its previous film. You know, we read I think a couple of weeks ago, Mia and I read Gemma’s review of this one. She compared it to Paddington. She really loved it. I’m seeing a lot of, I got the screener for this in my inbox last night. I feel like I gotta check this out. Let’s see. You know, it’s at 40 right now, but it’s not out in US theaters yet. It’s coming out soon. So maybe we can get it up to number one by the end of the year.

SLIM We’ll see. We’ll see. I watched the Nanny Saturday, you watch [Puss in Boots: The Last Wish] and we’ll see makes the lead, what goes up the charts. Should we go to our watchlists? Should we check out what’s happening with our own watchlist? We’re making headway. I alluded to the fact that I needed to do a cleanse, a watchlist cleanse a couple of weeks ago, so I started removing things.

MITCHELL I feel like you’re cleansing like every two weeks. I have friends who comment, I mentioned this to you, I have friends who comment like, “every time Slim pulls a review, you just hear like a sigh in him and a regret.”

SLIM Regrets, regrets. So many regrets in my watchlist additions. But I’m trying to, you know, I get IG ads for cleanses now. Maybe cleanses is the key and it starts with my watchlist. So I got a Christopher Lambert movie last time, Fortress, from the director of Re-Animator. So you might think like, okay, now we’re cooking with gas.

MITCHELL You might think.

SLIM You were not cooking with gas for this movie in my opinion. You were cooking with, I don’t know, charcoal. So Christopher Lambert had a moment. I think we can all agree, in kind of like action era movies.

MITCHELL Big Highlander.

SLIM Big Highlander. He was Raiden in Mortal Kombat, he had that famous chuckle that everyone references. So in this movie, having more than having more than one child is illegal. This is like the dystopian future. If you break the law, you get sent to the fortress, which is run by Clarence Boddicker from RoboCop. What’s his name?

MITCHELL Kurtwood Smith.

SLIM Kurtwood Smith, the great Kurtwood Smith. And when you get put into this jail, you have this like, almost like bomb thing put in your body, in your intestines, and it’s called an intestinator. And when you’re like misbehaving, Clarence, like turns it up a notch and you’re like in pain because your intestines are about to explode. Very strange. But I thought it was kind of a dud. So there were some cool stuff in it. Like, Clarence Boddicker, Kurtwood Smith, he’s like the warden for this prison and these sexual thoughts are pretty much illegal in the jail and at large, but he has a way to see people’s dreams, so in his little lair he’s like, able to kind of like break the law himself by like, observing these dreams, which I think is a pretty cool angle for a movie. But that’s where the coolness kind of stops. So Fortress, Christopher Lambert, it’s off my list. I think I gave it like two stars maybe. So we’ll see how the cleanse goes the next time I shuffle.

MITCHELL 2023 is going to be a new year for you. That’s my hope.

SLIM It is! It’s my year! I’m almost under 100 movies on my watchlist, so it’s very curated right now.

MITCHELL That’s impressive. I’m at—let’s do a quick check on Mitchell’s watchlist, we’re about at 1452.

SLIM Oh my god.

MITCHELL Making progress everyday. I think I added about twenty last night.

SLIM Holy smokes. So what did you get when you were last on the show?

MITCHELL One that came off of my watchlist, Alphabet City, 1984, directed by Amos Poe. Not as complex as a plot as Fortress sounds like it is. No intestinators in this one, basically just like a late night New York movie about a small time drug dealer who’s trying to get out and make clean but the people above him are not down for that. And you know, he’s in a little bit of trouble. He’s been tasked with burning down a building that just happens to be the one that his mom lives in. And I mean, it’s a wild ride. It’s pretty dope. It is very like neon nights in New York City in the 80s which is like 100% my vibe if anybody knows me. It was put out by Fun City Editions on Blu-Ray and I basically love like everything that label puts out. Yeah, it’s sick. I really enjoyed it. It’s very like scuzzy but also like the neon and like the washed out lighting of it is really gorgeous. And it’s got a killer soundtrack. It’s also very funny, this dude is spending the whole movie like trying to convince people to like leave this building. He’s like, “I am going to burn down this building tonight. You need to leave or you will die.” And even his mom is like, “Hey man, if that’s what happens, I guess how I’m going down. I gotta iron this laundry.” I was delighted to see that Justin on Letterboxd watched this as well and tagged his review Weekend Watchlist. Justin’s review: “treads a weird middle ground between Escape from New York and Drive street tough, soaked and surreal neon. Johnny’s a good egg, but he crosses the line from sentimental to self righteous. I want good things for him. But I also want to see him shoot his way out.” Johnny is, yeah, I mean, he’s a tough noodle to crack.

SLIM It’s hard to crack those noodles. It’s very hard to crack those noodles.

MITCHELL Every day I’m trying to crack these noodles and they are just slipping out of my fingers.

SLIM My buddy Chuck Forsman, who’s a cartoonist and he created The End of the Effing World on Netflix, he left a review for this that I didn’t realize it until this week, but he gave it four and a half stars. So he loved that as well. He said, “this is delight felt like equal parts at self published amateur comic, and an incredible college art film with the most intense splashes of color.”

MITCHELL I gave it four stars. So yeah, I definitely would recommend people checking out Alphabet City.

SLIM It’s in my watchlist now. I can confirm that I just added it to the watchlist.

MITCHELL My influence is so strong. I’m gonna get—in no time I’m getting your watchlist up to 1000.

SLIM No, absolutely not. But we should point out some community reviews. Rob watched Eyes Wide Shut, which we will be spotlighting next week on our Four Faves episode, which was your pick for Holiday Faves. Rob left a review, “I would do unspeakable things to be part of Nicole Kidman and Tom Cruise’s blunt rotation.”

MITCHELL That’s an interesting review because I would do anything to not be in that room.

SLIM It seems like such a downer to be in that room with them.

MITCHELL The vibes are very off in that room. I’ve smoked some pot in my day and I’ve had experiences where, you know, one person takes it a little bit in a direction where they get a little bit antsy, they get a little bit hyper, they get a little bit, you know, and it just, it kills the vibe. I want to smoke and I just take a nap, like that’s that’s my vibe.

SLIM You gotta change the room. If you’re in a party with Tom and Nicole, you change rooms. I’ll see you guys in a little bit, I need to break.

MITCHELL How do you even know where to look? What’s the eyeline there? One’s so small and one’s so tall. Like where are you looking?

SLIM Listen, Tom was on the bed, okay? Tom was on the bed accentuating his height.

MITCHELL That might have actually been a very direct choice. Nicole’s, you know, on the ground.

SLIM Yeah, she was on the floor and she was still taller than he was.

MITCHELL Yeah, they’re about the same eyeline. I wanted to quickly shout out, so I did choose Kayla happened to review and tag their review Weekend Watchlist. Kayla’s review of The Shop Around the Corner: “A 1940s rom com with Jimmy Stewart? Honestly, the movie didn’t have to do much for me to love it.  Also, ITS SET IN BUDAPEST?!” The Shop Around the Corner is the total opposite end of my Eyes Wide Shut holiday viewing pleasures, but The Shop Around the Corner also now like a marquee holiday viewing for me. It is so delightful. So warm. It is perfect, perfect like old-school viewing. Feels like a warm blanket.

SLIM All right. Let’s see, we need to shuffle.

MITCHELL We’re running out of time. I gotta go see Father Stu Reborn.

SLIM I don’t even have time to spotlight DamRoberts’s Marcel the Shell  review, but I saw it. I just want you to know I saw it and I liked it. We need to go to our watchlist. We’ll shuffle, we will filter by stream only. And then we’re going to sort by shuffle. So the first movie in that list, we have to watch before our next recording. And just a disclaimer, spoilers, we’re taking the month of January off. So Mitchell, you’re gonna sit on this thought for a month pretty much. And my first movie is... [shuffle sound] Oh gosh... 1984’s Dreamscape, starring Dennis Quaid and Max von Sydow and Christopher Plummer. “Government funded project looks into using psychics to enter people’s dreams with some mechanical help.” This is streaming on Roku, Tubi, oh, it’s one of those movies. It’s on ShoutFactory, it’s on Peacock, it’s on Kanopy, Hoopla. So this has been on my watchlist for a while. I’m excited to watch. It’s got a great poster.

MITCHELL I’m putting this on my watchlist, Dreamscape. I want to change this backdrop. What is this backdrop?

SLIM Yeah, we will do some some metadata work after the show to adjust some things I think. What about you? What did you shuffle and get?

MITCHELL So you said 1984, I was like, I almost thought we were about to line up. Mine’s from 1985... Dario Argento, who we recently discussed The Bird with the Crystal Plumage with Corey Everett on the Four Faves. This film I got Phenomena starring Jennifer Connelly. “A young girl with an amazing ability to communicate with insects is transferred to an exclusive Swiss boarding school where her unusual capability might help solve a string of murders.” I’m very excited for this. I have the Arrow 4k blu-ray of this. It is on Tubi if people wanted to stream it, but I will be watching on my 4K television.

SLIM It’s also on Shudder too.

MITCHELL It’s on Shudder as well. I’m very stoked for this. When we were talking to Cory I was thinking, when we watched The Bird with the Crystal Plumage, I mentioned I had seen Suspiria. I haven’t seen Argento’s other stuff. Phenomena has been on my watchlist for a while, so we’re gonna get it down. 1451, here we go.

SLIM We’re chipping away slowly but surely.

MITCHELL I’ll get down, by the end of 2023, I’ll be at 300.

SLIM Get the hell out of here.

MITCHELL I did just mark, we’re running out of time, but I did just mark my 600th logged film, my 600th movie that I watched in 2022 the other day which was a rewatch of the Adam Sandler movie Big Daddy.

[theme song ramps up, plays alone, fades out]

SLIM Thanks so much for listening to Weekend Watchlist, brought to you by The Letterboxd Show. You can follow Mia, Slim—that’s me—and our HQ page on Letterboxd using the links in our episode notes. And just next week we’ll be spotlighting our holiday watchlist and then the week after that, spoilers. We’ll be doing a Year in Preview before we take a little bit of a break for the year 2023

MITCHELL Thanks to our crew, and thanks to Letterboxd member Trent Walton for the theme music, Izon. Thanks to Jack for the facts and Sophie Shin for the episode transcript and thanks to all of you for listening. Weekend Watchlist is a Tapedeck production.

[Tapedeck bumper plays] This is Tapedeck podcast.